![]() Once the MIDI controller and NLE are both set up, up and running you can assign as many hotkeys as you’d like. ![]() You will find full setup instructions on Bome MIDI Translator Pro’s website. ![]() Since you can capture MIDI in the translator options you need to enable “capture midi”, move the knob, pad or fader on your controller and click on the incoming midi message and then assign the hotkey. In essence, with this piece of software, you can control your computer from any MIDI controller or another related device with a few simple tweaks. Bome MIDI Translator Pro 1.8 is a reasonably priced solution that will do a decent job, plus it provides a relatively easy setup. Once you’ve picked your controller you are also going to need a dedicated software that translates the incoming mini signal to a keyboard hotkey. For instance, if you are going to utilize such a device in conjunction with DaVinci Resolve, than you are going to need an interface that has, at least, a couple of jog wheels, knobs and faders to replace all your input devices, or instead, you can get a controller with more pads to support your keyboard and mouse editing.Įither way, choose your controller carefully and even write down upfront all the functions that you use at the most and want to assign to the external platform. The most important aspect of the workflow is to choose a MIDI controller with a proper layout that fits your personal needs and preferences depending on the software that you tend to use. In fact, most MIDI controllers and DAW hardware interfaces like Akai APC 40, Reloop BeatPad 2, Behringer CMD LC-1 Trigger-Based MIDI Controller etc will work as long as they send out common MIDI protocols to external devices. The above video is just an example how to tether and program a Traktor Kontrol X1 and Final Cut X, however, you can apply this workflow virtually with any other MIDI controller with a decent layout and every NLE that supports hotkeys as an option. In the following video, we’ll see how to use a standard MIDI controller to trigger effectively certain functions in Final Cut X. Most of the professional control panels cost tens of thousands of dollars, not to mention the fact that usually they are designed to work in conjunction with a certain software platform which is not always the most practical solution, especially when you need to switch between a handful of applications.įortunately, there is a simple workaround that will make your life in the editing bay a lot easier and definitely way more affordable. The only drawback is the price tag they usually come with. Once you get used to one of these devices, it’s really hard to go back. They are still extensively utilized by many seasoned professionals as extremely effective tools that provide not only efficiency and flexibility in post, but also make the life of editors and colorists alike much easier and a lot more effective. Being an integral part of high-end editing and colour grading workflows, hardware control panels have been around for years. I feel like in some previous incarnation of Windows, Clippy popped up and said "Hey! It looks like you have a folder with music, do you want to set it to Music Tools?" and they got rid of Clippy but kept the feature. I'm really hoping in the 7 years since this question was originally posted, somebody at Microsoft came to their senses and created a way to turn off this annoying feature once and for all. The previous question is basically the same, except that the previous answer tells you how to fix this individually for each folder that Windows has messed up. That's fine for many situations, but for the multimedia processing I am doing, I need Windows Explorer to work like it always does. How do I get rid of this incredibly annoying "Music Tools" setting?įor those of you not familiar with it, if you have a folder with some audio files in it (no idea what the exact criteria are), Windows decides that what you really want is to not see file size or type or modification date, but rather #, Title, Contributing artists, and Album.
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